![]() But BEYNO is unique in that it looks and feels both geometric and futuristic, especially when you see it transform from English into Wakandan, a nifty visual produced by Lasky and his team when locator cards appear. Perception’s partner and co-founder Jeremy Lasky compared the BEYNO typeface to Avenir or Gotham, all of which have a clean, contemporary feel. When I interviewed Korn, he said that even though he normally leaves the theater when a film ends, he stayed for all of Black Panther, including the closing credits that use his typeface.ĭuring that closing title sequence, “All the Stars” by Kendrick Lamar and SZA accompanies the motion graphics designed by Perception, who also created all of the movie’s technology design you see on screen, as well as the locator cards that use the BEYNO and Wakandan typefaces, showing you where a scene takes place. ![]() Fabian Korn designed BEYNO about two years ago and you can purchase a copy yourself. It uses the BEYNO typeface for the main titles, as well as the locator cards that announce where a scene takes place. Typographically, Black Panther is a treasure trove of past, present, and future writing systems. Movie still courtesy of Perception Just the Right Type And one of the things I’ve enjoyed studying is the movie’s typography. Now that it’s available on DVD and as a digital download, I can finally watch it and push pause anytime to study the rich, amazing world that Hannah Beachler and her production design team created for director Ryan Coogler. Whether it was a flashback in Oakland or an action scene in Wakanda, there was so much to take in, architecture, characters, clothing, jewelry, transportation, weaponry, technology. When I saw Black Panther opening weekend, I wanted to push pause time and time again.
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